This November, the princesses from Arendelle and their little snowman friend will return to theaters in a new animated short playing in front of Pixar’s Coco. Olaf’s Frozen Adventure will follow the quirky beach-loving snowman as he helps his friends Elsa and Anna celebrate the holiday season in Arendelle since the princesses reunited. Frozen has been such a smash success for Disney that it’s considered its own brand within the Disney Princesses world, and with the release of Olaf’s Frozen Adventure in November, Hasbro intends to make sure your kids have plenty of newly costumed Elsas, Annas, Olafs, and Kristoffs.
Since Dennis Miller hosted the very first MTV Movie Awards back in 1992, the music channel’s annual award ceremony has been something of a fun dalliance into a world where the artistic merit of a movie is less important than its popular clout. This year marks a couple of big changes for the format: not only did the award show change its official name — it is now known as the MTV Movie & TV Awards — it also has become arguably the most inclusive award show to date, honoring titles like Moonlight, Get Out, and Jane the Virgin alongside its stalwart categories like Best Kiss and Best Villain.
Audiences don’t turn their back on family. That’s the lesson to be learned from this past weekend, anyways, when The Fate of the Furious proved that this is one franchise showing no signs of slowing down. It was never a question of whether The Fate of the Furious would take the top spot this weekend, but even the most optimistic of projections couldn’t have expected the global domination that this movie undertook. Here’s the box office estimates as of Sunday afternoon:
In a parallel universe where Paramount Pictures doesn’t alienate its fanbase, we might be talking about Ghost in the Shell as the big winner of this weekend and the de facto start of a new wave of Japanese Hollywood adaptations. Instead, DreamWorks Animation and The Boss Baby blew up the box office, no doubt delighting a handful of DreamWorks executives who watched the Ghost in the Shell controversy unfold with glasses of champagne in hand. After all, nobody’s going to boycott a movie about a baby who wears a suit.
It might be a tale as old as time, but audiences have proven there’s still a few petals left on that old flower. Despite being projected to open at somewhere between $214–245 million worldwide, Beauty and the Beast knocked the pants off those projections, eclipsing $350 million at the international box office and setting a March record for domestic releases along the way. Let’s take a look at how things shook out this past weekend with some of the expected grosses.